hester’s large scale abstract images of urban landscapes investigate photography as the intersection between art and science. Photography is stripped, naked without distinctive referential elements. Multicolored light beams imply a picture but there is none; only trajectories. What one sees becomes secondary to what one understands. And yet such an understanding is revealed through photography, a viewable system. These images reveal what is already there, the interplay between light and spaces as constantly relative. Photographs based upon the occurrence of perception and our fabrication of memory, reminding us that perception and perspective are in the eye of the beholder.